Balika is the surname given to children abandoned by unidentified families. Balika tells the story of Dipendra and Susmita, two teenagers who live in an orphanage in Kathmandu. Like all their friends, they were abandoned by their families. As the film unfolds, we see how they are compelled to take decisions for which they are unprepared. Susmita will reject her family and Dipendra will travel back to the past in search of answers.

Bilbao Mugimendu Etengabea (Bilbao constant movement) is a symphonic documentary that finds itself in the ceaseless evolution of Bilbao, it looks at the present and peers towards the futures that lie ahead. The camera wanders through the city’s landscapes, accompanying real people with whom we discover the use of various spaces beyond their original design.

The experiences of six young people bring us closer to the rural life of Cantabria, in terms of entrepreneurship, gender equality, the development of infrastructures and services, culture and sustainability.

Rafael Matos de la Cruz, also known as Matos by his friends and neighbours, lives a humble life making enough money to survive by fixing broken umbrellas and old sewing machines. But Matos especially survives through his singing and at the age of eighty-four, his voice is still his faithful companion.

Carlos is a bicycle taxi driver during the day. When the sun sets he goes back home and dedicates himself to his passion in life: the cinema. Within the walls of his very humble dwelling, Carlos spends his afternoons and evenings submerged in films, poems and film scripts written in his own hand and signed with the the same signature: ‘’Charlies David’’. He is the artist who, with the passing of time and the hard experiences of life, has become a recluse in his own hideout.

From the beautiful, life-filled coast to the lush valleys and forests, and the high mountains traversed by pilgrims, the inhabitants of the Saja Nansa region have always lived by utilizing and relying on their land. This relationship has defined a culture and identity while shaping a unique landscape. Will this mutual relationship of utilization continue to exist for future generations?